Hologram Theory
Refraction
Projection

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NO ONE THING IS EVER IN ONE PLACE AT ONE GIVEN TIME SO NOTHING EXISTS ALL THE TIME.


THE 'YOU' OR 'I' IN ANOTHER HOLOGRAM COULD BE, AND PROBABLY IS, INCONCEIVABLY DIFFERENT - YET ONE WOULD TRY TO FIND A WAY OF MAKING SENSE OF IT IF CONFRONTED.

REFLECTION VS DIFFRACTION

PHOTOGRAPHY BY DANNY JONES ^

INSPIRATION :

WE PROJECT OUR REALITIES ON OTHERS

HOW DO WE NOT KNOW OUR REALITIES ARE A PROJECTION

HOW DO WE CHANGE OUR REFLECTIONS INTO REFRACTIONS.

Hologram Theory
Refraction
Projection

PHOTOGRAPHY BY DANNY JONES ^

INSPIRATION :

WE PROJECT OUR REALITIES ON OTHERS

HOW DO WE NOT KNOW OUR REALITIES ARE A PROJECTION

HOW DO WE CHANGE OUR REFLECTIONS INTO REFRACTIONS.

NO ONE THING IS EVER IN ONE PLACE AT ONE GIVEN TIME SO NOTHING EXISTS ALL THE TIME.


THE 'YOU' OR 'I' IN ANOTHER HOLOGRAM COULD BE, AND PROBABLY IS, INCONCEIVABLY DIFFERENT - YET ONE WOULD TRY TO FIND A WAY OF MAKING SENSE OF IT IF CONFRONTED.

LOOKING AT DIFFRACTION AS A NEW MEANS OF REFLECTION

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BY DISPERSING YOUR REGULAR OUTLOOK AND THEREBY DISRUPTING YOUR FEEDBACK LOOP YOU CAN OPEN UP A WORLD OF NEW DIRECTION AND UNCHARTERED IDEAS

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COMBINING MY INTEREST IN QUANTUM MECHANICS WITH MY LOVE FOR ANALOGUE PHOTOGRAPHY I WILL START TO CONSTRUCT A BODY OF WORK THAT I SHALL THEN DECONSTRUCT INTO AN

A
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E

MORE THAN HUMAN

MORE THAN HUMAN

INSPIRATION

INSPIRATION

https://www.caciagliluca.com

NXT MUSEUM
https://nxtmuseum.com/artist/topologies-1-united-visual-artists/

Drawing from sources ranging from ancient philosophy to theoretical science, the practice explores the cultural frameworks and natural phenomena that shape our cognition, creating instruments that manipulate our perception and expose the relativity of our experiences. Rather than material objects, UVA’s works are better understood as events in time, in which the performance of light, sound and movement unfolds.

Juriaan Löwensteyn
https://jurlow.com/bio

By tapping into the metaphorical use of light and darkness, Jurriaan Löwensteyn bypasses the longstanding paradigm of looking at the two elements through a lens of simple contrasts; instead, he shows how darkness unexpectedly appears as a projection of light. Light is not implied in these images as a natural phenomenon in the physical world, but as an invention in its own right. The effects of artificial light are contrasted with the physical properties of natural light in order to produce a figuration of light that is paradoxically projected onto the paper as shadows. Therefore, NO LIGHT confronts viewers with the manifold expressions of light as the shadows of a process.

ARCHIVE

ARCHIVE

1. DARKROOM PREP AND FIRST EXPERIMENTS

INSPIRED BY CAMERA-LESS PHOTOGRAPHY THE TEST ON THE LEFT WAS THE MOST SUCCESSFUL - WANT TO EXPLORE THIS FURTHER

ARCHIVE CATEGORIES : 
- PHASE [NUMBER]
- FORMAT
- FLARES

2. USING A LASER PEN AND A CRYSTAL GLASS

DIFFRACTING THE LASER LIGHT THROUGH THE GLASS DIRECTLY ONTO PHOTOSENSITIVE PAPER AND IMMEDIATELY GOING THROUGH THE PROCESS OF DEVELOPMENT

- PHASE [NUMBER]
- FORMAT
- LINES
- FLARES
- DOTS

MORE THAN HUMAN

MORE THAN HUMAN

END

TURNING THE LANDSCAPES INTO DEEP SEA MONSTERS

3. TAKING OUT THE DEVELOPMENT STAGE FOR MORE CONTROLLED EXPLORATION

USING MY IPHONE I TOOK PICTURES OF THE PROJECTIONS PAYING MORE ATTENTION TO THE CONTROL OF THE PROJECTION AS OPPOSED TO THE PROCESS OF THE ANALOGUE PRINT DEVELOPMENT

- PHASE [NUMBER]
- FORMAT
- LINES
- FLARES
- DOTS

4. TAKING OUT THE DEVELOPMENT STAGE FOR MORE CONTROLLED EXPLORATION

USING MY IPHONE I TOOK PICTURES OF THE PROJECTIONS PAYING MORE ATTENTION TO THE CONTROL OF THE PROJECTION AS OPPOSED TO THE PROCESS OF THE ANALOGUE PRINT DEVELOPMENT

- PHASE [NUMBER]
- FORMAT
- LINES
- FLARES
- DOTS
- WEB
- FINGER PRINT

5. TAKING OUT THE DEVELOPMENT STAGE FOR MORE CONTROLLED EXPLORATION

USING MY IPHONE I TOOK PICTURES OF THE PROJECTIONS PAYING MORE ATTENTION TO THE CONTROL OF THE PROJECTION AS OPPOSED TO THE PROCESS OF THE ANALOGUE PRINT DEVELOPMENT

- PHASE [NUMBER]
- FORMAT
- LINES
- FLARES
- DOTS
- WEB
- FINGER PRINT
- PORTAL
- NOISE
- MOUNTAIN

ANARCHIVE

ANARCHIVE

This practice was more-than-bullshit